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| ChristianI dreamed I stood upon a hill, and, lo!
The godly multitudes walked to and fro
Beneath, in Sabbath garments fitly clad,
With pious mien, appropriately sad,
While all the church bells made a solemn din --
A fire-alarm to those who lived in sin.
Then saw I gazing thoughtfully below,
With tranquil face, upon that holy show
A tall, spare figure in a robe of white,
Whose eyes diffused a melancholy light.
"God keep you, stranger," I exclaimed. "You are
No doubt (your habit shows it) from afar;
And yet I entertain the hope that you,
Like these good people, are a Christian too."
He raised his eyes and with a look so stern
It made me with a thousand blushes burn
Replied -- his manner with disdain was spiced:
"What! I a Christian? No, indeed! I'm Christ."
-- Ambrose Bierce
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| Ode to Fear It has been way too long since I've updated here, at least my Belgian friend is still reading! (Or at least his RSS reader is.)
I just discovered this little gem the other day. I find the way it switches between different rhythm styles to be rather jarring,
but the subject matter is too delightfully lurid to pass over.
Thou, to whom the world unknown
With all its shadowy shapes is shown;
Who see'st appalled the unreal scene,
While Fancy lifts the veil between:
Ah Fear! Ah frantic Fear!
I see, I see thee near.
I know thy hurried step, thy haggard eye!
Like thee I start, like thee disordered fly.
For lo, what monsters in thy train appear!
Danger, whose limbs of giant mould
What mortal eye can fixed behold?
Who stalks his round, an hideous form,
Howling amidst the midnight storm,
Or throws him on the ridgy steep
Of some loose hanging rock to sleep;
And with him thousand phantoms joined,
Who prompt to deeds accursed the mind;
And those, the fiends who, near allied,
O'er nature's wounds and wrecks preside;
Whilst Vengeance in the lurid air
Lifts her red arm, exposed and bare,
On whom that ravening brood of fate,
Who lap the blood of sorrow, wait;
Who, Fear, this ghastly train can see,
And look not madly wild like thee?
EPODE
In earliest Greece to thee with partial choice
The grief-full Muse addressed her infant tongue;
The maids and matrons on her awful voice,
Silent and pale, in wild amazement hung.
Yet he, the bard who first invoked thy name,
Disdained in Marathon its power to feel:
For not alone he nursed the poet's flame,
But reached from Virtue's hand the patriot's steel.
But who is he whom later garlands grace,
Who left awhile o'er Hybla's dews to rove,
With trembling eyes thy dreary steps to trace,
Where thou and Furies shared the baleful grove?
Wrapped in thy cloudy veil the incestuous queen
Sighed the sad call her son and husband heard,
When once alone it broke the silent scene,
And he, the wretch of Thebes, no more appeared.
O Fear, I know thee by my throbbing heart,
Thy withering power inspired each mournful line,
Though gentle Pity claim her mingled part,
Yet all the thunders of the scene are thine!
ANTISTROPHE
Thou who such weary lengths hast passed,
Where wilt thou rest, mad nymph, at last?
Say, wilt thou shroud in haunted cell,
Where gloomy Rape and Murder dwell?
Or in some hollowed seat,
'Gainst which the big waves beat,
Hear drowning seamen's cries in tempests brought!
Dark power, with shuddering meek submitted thought
Be mine to read the visions old,
Which thy awakening bards have told:
And, lest thou meet my blasted view,
Hold each strange tale devoutly true;
Ne'er be I found, by thee o'erawed,
In that thrice-hallowed eve abroad,
When ghosts, as cottage-maids believe,
Their pebbled beds permitted leave,
And goblins haunt, from fire or fen
Or mine or flood, the walks of men!
O thou whose spirit most possessed
The sacred seat of Shakespeare's breast!
By all that from thy prophet broke,
In thy divine emotions spoke,
Hither again thy fury deal,
Teach me but once like him to feel:
His cypress wreath my meed decree,
And I, O Fear, will dwell with thee!
-William Collins
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| WisdomI've been into Teasdale lately.
When I have ceased to break my wings
Against the faultiness of things,
And learned that compromises wait
Behind each hardly opened gate,
When I have looked Life in the eyes,
Grown calm and very coldly wise,
Life will have given me the Truth,
And taken in exchange -- my youth.
- Sara Teasdale
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| The Man in the Moon Came Down Too SoonAs read by the author, JRR Tolkien.
The Man in the Moon had silver shoon,
It and his beard was of silver thread;
With opals crowned and pearls all bound
about his girdlestead,
In his mantle grey he walked one day
across a shining floor,
And with crystal key in secrecy
he opened an ivory door.
0n a filigree stair of glimmering hair
then lightly down he went,
And merry was he at last to be free
on a mad adventure bent.
In diamonds white he had lost delight;
he was tired of his minaret
Of tall moonstone that towered alone
on a lunar mountain set.
Hе would dare any peril for ruby and beryl
to broider his pale attire,
For new diadems of lustrous gems,
emerald and sapphire.
He was lonely too with nothing to do
but stare at the world of gold
And heark to the hum that would distantly come
as gaily round it rolled.
At plenilune in his argent moon
in his heart he longed for Fire:
fot the limpid lights of wan selenites;
for red was his desire,
For crimson and rose and ember-glows,
for flame with burning tongue,
For the scarlet skies in a swift sunrise
when a stormy day is young.
He’d have seas of blues, and the living hues
of forest green and fen;
And he yearned for the mirth of the populous earth
and the sanguine blood of men.
He coveted song, and laughter long,
and viands hot, and wine,
Eating pearly cakes of light snowflakes
and drinking thin moonshine.
He twinkled his feet, as he thought of the meat,
of pepper, and punch galore;
And he tripped unaware on his slanting stair,
and like a meteor,
A star in flight, ere Yule one night
flickering down he fell
From his laddery path to a foaming bath
in the windy Bay of Bel.
He began to think, lest he melt and sink,
what in the moon to do,
When a fisherman’s boat found him far afloat
to the amazement of the crew,
Caught in their net all shimmering wet
in a phosphorescent sheen
Of bluey whites and opal light
sand delicate liquid green.
Against his wish with the morning fish
they packed him back to land:
’You had best get a bed in an inn’, they said;
’the town is near at hand’.
Only the knell of one slow bell
high in the Seaward Tower
Announced the news of his moonsick cruise
At that unseemly hour.
Not a hearth was laid, not a breakfast made,
and dawn was cold and damp.
There were ashes for fire, and for grass the mire,
for the sun a smoking lamp
In a dim back-street. Not a man did he meet,
no voice was raised in song;
There were snores instead, for all folk were abed
and still would slumber long.
He knocked as he passed on doors locked fast,
and called and cried in vain,
Till he came to an inn that had light within,
and tapped at a window-pane.
A drowsy cook gave a surly look,
and ‘What do you want?’ said he.
’I want fire and gold and songs of old
and red wine flowing free!’
’You won’t get them here’, said the cook with a leer,
’but you may come inside.
Silver I lack and silk to my back-
maybe I’ll let you bide’.
A silver gift the latch to lift,
a pearl to pass the door;
For a seat by the cook in the ingle-nook
it cost him twenty more.
For hunger or drouth naught passed his mouth
till he gave both crown and cloak;
And all that he got, in an earthen pot
broken and black with smoke,
Was porridge cold and two days old
to eat with a wooden spoon.
For puddings of Yule with plums, poor fool,
he arrived so much too soon:
An unwary guest on a lunatic quest
from the Mountains of the Moon.
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| UltimatumI'm wearied of wearying love, my friend,
Of worry and strain and doubt;
Before we begin, let us view the end,
And maybe we'll do without.
There's never the pang that was worth the tear,
And toss in the night I won't -
So either you do or you don't, my dear,
Either you do or you don't!
The table is ready, so lay your cards
And if they should augur pain,
I'll tender you ever my kind regards
And run for the fastest train.
I haven't the will to be spent and sad;
My heart's to be gay and true -
Then either you don't or you do, my lad,
Either you don't or you do.
-Dorothy Parker
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