"They called me mad, and I called them mad, and damn them, they outvoted me."
JonathanStrange
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Name: Devin
Birthday: 8/10/1987
Gender: Male


Interests: Getting throught the rest of the day without opening fire on the knuckleheads preaching hatred and fire from the doorsteps of the powerful. And girls.
Expertise: Proclaiming my hatred of America while drinking from it's streams of honey contentedly.
Occupation: Unemployed/Between Jobs
Industry: Art


Message: message me


Member Since: 9/9/2004

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Monday, March 10, 2008

Currently Listening
Juno
By Original Soundtrack
see related

Welcome Home

This is sure to be a glorious failure of what is only a test. After almost two years of complete indifference concerning Xanga, I felt like posting. It doesn't really matter why, because there is no why. Maybe to see if anyone comments.

Man, this is only getting worse by the moment. Not only is it not a triumphant return, but the intriumphant return is obscene in its banality. Anyways, I gotta drive this guy back to his prison cell now, so I gotta go. Immediately. Or soon.

No, now.


Wednesday, August 30, 2006

This is odd, to be coming back to the fold for an encore presentation, but I was bored, so I thought that for some reason I would make a new post, but only if I stated no new information and declared that I probably won't do this again for some time. That said, feel free to mention how damn good I look.


Thursday, March 02, 2006

All right, here are some pictures of the crash. Tommy,  Brandon, and I flipped Brandon's truck. 'Kay.

This is the right side of my face. It swolled up darn bad. The swollenness ran around in an arc from the inside of my right eye up to the right side (your left) of the road rash. See for yourself.

This is the inside of the truck, post crash. To orient yourself, the middle part of the picture where shit is just lying around is the ground. The floor of the truck is up.

That is the left side of my head. The blood came from inside the ear, where there was a piece of glass imbedded (near my ear drum- no shitting you).

This is where we ended up. The black glass on the ground was also found in my pocket hours later. Interesting tidbit, eh?

This is us lonely survivors, huddled under a blanket for warmth due to the four degree weather. Brandon is in the middle, looking surprisingly optimistic considering that he had just mutilated his twelve thousand dollar truck.


Friday, February 03, 2006

After finishing the rest of A Heartbreaking Work of Staggering Genius, by Dave Eggers, and following that by reading Cell, the new novel by Stephen King in three days, I have now progressed to Still Life With Woodpecker. It is about a princess who lives in Georgia under the protection of the CIA and a man (Bernard, who is known as the Woodpecker) who explodes buildings with dynamite (domestic terrorist?), but has never killed anyone, althought he once did remove a number of limbs from one man while simultaneously destroying the discovery of a male contraceptive (in pill form). So it's that type of book. So here's the Quote of the Day:

---

Ha ha.

That's how Bernard's infamous response began.

"Ha ha.

"Victim? The difference between a criminal and an outlaw is that while criminals frequently are victims, outlaws never are. Indeed, the first step toward becoming a true outlaw is the refusal to be victimized.

"All people who live subject to other people's laws are victims. People who break laws out of greed, frustration, or vengeance are victims. People who overturn laws in order to replace them with their own laws are victims. (I am speaking here of revolutionaries.) We outlaws, however, live beyond the law. We don't merely live beyond the letter of the law--many businessmen, most politicians, and all cops do that--we live beyond society. Have we a common goal, that goal is to turn the tables on the nature of society. When we succeed, we raise the exhilaration content of the universe. We even raise it a little bit when we fail.

"Victim? I deplored the ugliness of the Vietnam War. But what I deplored, others have deplored before me. When war turns whole populations into sleepwalkers, outlaws don't join forces with alarm clocks. Outlaws, like poets, rearrange the nightmare. It is elating work. The years of the war were the most glorious of my life. I wasn't risking my skin to protest a war. I risked my skin for fun. For beauty!

"I love the magic of TNT. How eloquently it speaks! Its resounding rumble, its clap, its quack is scarcely less deep than the passionate moan of the Earth herself. A well-timed series of deetonations is like a choir of quakes. For all of its fluent resonance, a bonb says only one word--'Surprise!'--and then applauds itself. I love the hot hands of explosion. I love a breeze perfumed with the devil smell of powder (so close to its effect to the angel smell of sex). I love the way that architecture, under the impetus of dynamite, dissolves almost in slow motion, crumbling delicately, shedding bricks like feathers, corners melting, grim facades breaking into grins, supports shrugging and calling it a day, tons of totalitarian dreck washing away in the wake of a curcular tsunami of air. I love that precious portion of a second when window glass becomes elastic and bulges out like bubble gum before popping. I love public buildings becoming public at last, doors flung open to the citizens, to the creatures, to the universe. Baby, come on in! And I love the final snuff of smoke.

"Yes, and I love the trite mythos of the outlaw. I love the self-concious romanticism of the outlaw. I love the black wardrobe of the outlaw. I love the fey smile of the outlaw. I love the tequila of the outlaw and the beans of the outlaw. I love the way respectable men sneer and say 'outlaw.' I love the way young women palpitate and say 'outlaw.' The outlaw boat sails against the flow, and I love it. Outlaws toilet where badgers toilet, and I love it. All outlaws are photogenic, and I love that. There are outlaw maps that lead to outlaw treasures, and I love those maps especially. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here, and I love that most of all.

"Victim? Your letter reminded the Woodpecker that he is a Woodpecker blessed. Your sympathies for my loneliness, tension, and disturbing fluctuations in indentity have some basis in fact and are humbly appreciated. But do not be misled. I am the happiest man in America. In my bartender's pockets I still carry, out of habit, wooden matches. As long as there are fuses, no walls are safe. As long as every wall is threatened, the world can happen. Outlaws are can openers in the supermarket of life."

---


Saturday, January 21, 2006

Currently Listening
Cursive's Domestica
By Cursive
"A Red So Deep"
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This quote from A Heartbreaking Work of Staggering Genius utterly trumps the previous, which shows how extraordinarily clever it is. Ooh, and I got really good headphones for my iPod, which helps because I haven't used it in some 3 or 4 months. And I died and cut my hair (at once, yes), so I look a bit different. So it's a sweet and sour deal.

Aw, who the fuck am I kidding. I'm doing this so that I can look back at my own life, not for nobody else (catch that?).

---

Our mother was a Christmas extremist. Weeks of eight-hour shopping days, lists tendered and revised. and revised again, presents pushing outward from the tree, almost to the foyer--a relentless effort to top previous years, to make it look not just joyous or extravagent, but obscene. My father, a fan but a less outwarly enthusiastic one, had a ritual, wherein he, because he was the father goddamn it, and had been up half the night putting the goddamn presents together, would rise late, and would come down, at oh maybe ten or so, not to watch us open our presents, but to make for himself and eat a full breakfast. Coffee, danish, bacon, orange juice, grapefruit, newspaper, everything--and at the most leisurely of paces. As we waited, cross-eyed with anticipation, kids from the neighborhood, most of whom had been up since four or five, would frolic outside our windows with new sleds, taunting us, riding by on their Green Machines, pushing the pedals with new moon boots, shining in the winter sun, utterly fabulous.

This Christmas we're dying because Beth and I have been doing the routine. Bill has been sitting, disapproving but still laughing, arms crossed, shaking silently. The routine, which begins after we've woken up and before Toph has started unwrapping, goes like this:

BETH:   Okay, you can open them now.

ME:   No, actually, wait. (Picking lint from shirt, then slowly, slowly untying and then tying shoes) Okay...now.

BETH:   Actually, hold on. I have to use the bathroom. (Sounds of water from the faucet. Then silence. Then flushing. More water. Then tooth-brushing)

BETH:   (Reappearing from the bathroom, refreshed, straightening sweater) Okay, I'm ready. Go ahead.

ME:   Wait a sec, wait a sec. You know what would be delicious about now? Grapefruit.

BETH:   Mmm. Grapefruit.

ME:   Let's have some grapefruit, then you know what? We could all take a nice walk.

BETH:   That would be so nice.

ME:   Fresh air, some exercise...

BETH:   And closer to God...

ME:   And closer to God.

BETH:   We can have Christmas tomorrow!

BETH:   (Thinking, clicking tongue) Oooh. Tomorrow's no good. Thursday?

ME: Thursday's bad. And the weekend's tight. Monday?

At this point, Beth and I are choking, crying, contorted, looking to furniture for support. We knock ourselves out.

Toph is waiting, unimpressed. He's seen the routine before.

Addressing Toph's presents is up to me, and the night before, I do everything I can to spruce up the task, to forge new ground. Some I address to fictitious recipients, or to other kids in the neighborhood. Many of Toph's presents I address to myself. Those that actually bear his name are misspelled. Or else I do what I do when filling out school forms: I get his name wrong, writing "Terry" or "Penelope," then cross it out and write his real name, smallish, below. I sign a few from "Us," a few from "Santa," but prefer this:

FROM: God.

He doesn't know who to thank. He does not want to seem overly cavalier when reaping the booty, and we exploit his eagerness to please. A package of colored clay is opened.

"Thank you," he says.

"Thank who?"

"I don't know. You?"

"No, not me. Jesus."

"Thank you, Jesus?"

"Yes, Toph, Jesus died for your Christmas fun."

"He did?"

I turn to Bill. Bill is staying out of it.

"He did," I say. "Beth, did he not?"

"Indeed he did. Indeed he did."

---

God, when did I run out of patience with myself? I seems a short while ago, but I'm too pissed of to know for sure. It's a damn shame.



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