| | Dakota's Co-Star Sounds off!Imagine this. A rich, young singer (and new actress) who's gained her every heart's desire in America, wears an "AK" symbol around her neck and openly states (to Oprah!) her belief that the Bush Administration provoked the East/West Coast war between "gangsta rappers" to prevent new black leaders from emerging. Are we talking about Sista Souljah here? No. We're discussing Alicia Keys, the lovely 26 year old pop idol who starred in the recent production of "The Secret Life of Bees". Let's consider her self-proclaimed mindset, here. This girl actually believes that a viable and respected voice for black people in America can emerge from murderous thugs (turned "artists") who spew hate and profanity in their performances, treat women and children like animals, openly do drugs and murder rivals of their own kind. And the "AK" medallion she wears next to her heart. Does she realize what it means? The AK Gang formed out of members of the Los Angeles Crips and Bloods crime cartels. They were too violent for those others. The name "AK" stands for "Anybody Killa"! Got that, Alicia?! The prevalence of these twisted concepts among younger black Americans has only recently come to the forefront- thanks largely to the story about Barack Obama, Jeremiah Wright, the Trinity Church of Chicago and the (until now) underreported phenomenon of "Black Liberation Theology". What we see in the open cultural spectacle of murder, corruption, race-hatred and radical politics among young blacks has many antecedents. The rise of quasi-religious cultism is one such. The insanely "tolerant" pop culture climate (for profit) is another. So is the political party that panders to their self-destructive concepts for votes. The majority of black people in this country are fine people. Nor is this sort of blasphemy confined to their ranks. Yet, the trend of the black populace, especially among its younger members, since the death of Dr. King has been a grim one indeed. 50% drop out of high school. Three quarters are born out of wedlock. For their role models, they turn not to distinguished Americans like Justice Thomas, Doctor Sowell or General Powell, but to exhalted icons of evil, murder, drugs and obscenity... who are allowed to profit from their activities. They are taken to "churches" and mosques where hatred of America in general and of white people in particular is preached in the name of a "Black God". The popular culture reflects and promotes this. Hollywood, as the centerpiece of that culture, does no less. The result is the radicalization of yet another new generation... through their own self-abasement! Again, this isn't just confined to young blacks. It merely exemplifies it to its most terrifying degree. In a larger sense, this cultural pollution afflicts all segments of the younger population. As I mentioned, Alicia Keys, obviously infected with this disease of the soul, recently made a relatively cheap film in North Carolina. The film was based on a depressing story of racism and parental betrayal. It featured an all-black cast but for one; a lone, 13 year old white actress named Dakota Fanning. Little has been written or said about what occured on that set during its production. At least, on a personal level. Of course, it was a minor effort to begin with and, with the possible exception of Queen Latifah, had no big names in its credits. (Alicia is prominent as a singer and Dakota is fallen from the A-list.) Yet, amid a production crew that oversaw the pornography of her "Hounddog" movie, portraying the best friend of an "actress" who holds vicious racial attitudes (and unchaperoned on-set by any family member or friend for two months of filming!) sat little Dakota Fanning. Hopefully, there is no other story in the backdrop to be told, here. But, given all else and considering the degradation inherent in her life and career since her last visit to North Carolina, can it be discounted? It is a troubling thing that, in this day and age, such questions must be raised. Still, if the Ku Klux Klan went into the movie business and a black child star was alone amidst an all-white cast in a film with racial overtones (both on and off set) wouldn't those same questions be raised there as well? We're talking about child safety, here. We're also talking about a culture that fosters those dangers, glorifies bigotry and rewards corruption... and has become essentially beyond the law. With such "artistry" in play in our times, what else is to be forthcoming? And will Dakota Fanning again emerge as the centerpiece victim of it? |