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Thursday, April 21, 2005

    Why do you go away? So that you can come back. So that you can see the place you came from with new eyes and extra colors. And the people there see you differently, too. Coming back to where you started is not the same as never leaving.
    The words ran through Tiffany's mind as she watched the sheep, and she found herself filling up with joy-- at the new lambs, at life, at everything. Joy is to fun what the deep sea is to a puddle. It's a feeling inside that can hardly be contained.
    "I've come back!" she announced to the hills. "Better than I went!"

                                                       A Hat Full of Sky - Terry Pratchett


Friday, February 11, 2005

  

            Inside the snow globe on my father’s desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, “Don’t worry, Susie; he has a nice life. He’s trapped in a perfect world.”

 

                                                                                                            The Lovely Bones

                                                                                                            Alice Sebold

 


Saturday, February 05, 2005

                 He flicks the keys on his key chain, still dangling from the ignition. "I wish I were with you and not her." I could hit him. I have to hold onto the edge of my seat. He says it again.

                "Oh stop it," I say. "Give me a break. You chose her. You chose her and not me." And I make myself remember it, the three of us walking home from Ed's van, back across the snowy field. I am angry, but also, terribly, hopeful. I want him to tell me something now that would take away the sting of that night, to say that really he always loved me, even then, even when he first put his hand over his heart and asked me to repeat her name.

                "You chose her," I say, pressing, waiting. "You act like all of this just happened to you. Poor baby. But it's not true, Travis. You chose it."

                He puts his hands over his face. "I know."

                "Why?" I am crying now, though I don't want to. It's a terrible question, this why.

                He looks like he doesn’t understand, squinting at me in the darkness. "I thought she was pretty."

                I feel the muscles in my arms and legs tighten, closing down. "Well, she still is then. You have what you wanted."

                He closes his eyes, "I know, Evelyn. I know."

 

The Center of Everything

Laura Moriarty

 


Thursday, September 02, 2004

            I write a thank-you note to Cherylanne, and when I’m done, I lie on the bed with a full feeling in my chest, and then I just start bawling. It’s because I wasn’t able to say how much I love her and Belle both, and also because I love the memory of Cherylanne and me hanging around the PX, talking in our bedrooms, reading magazines in front of the fan when it was too hot to be outside. It feels like now we are so much older, and our lives are diverging like those geometry proofs where the two lines never touch, they just keep growing farther apart. It will never happen again that we will walk home from a movie, holding hands with each other to be the substitute, singing “Tammy’s in love” in soft, flirty voices. I feel like I am the mother of my own self and Cherylanne too, looking down on us as we were then, tender in the heart with knowing all that is to come. And all I said in the letter is, “Thank you for the pen-and-pencil set, I will use it every single day.” This is why I’m crying, the distance from what you feel to what you say, how it will always be like that.

                                                - Elizabeth Berg, True To Form