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ChristianFictionQueen
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Name: Ruth
Country: United States
State: Tennessee
Birthday: 9/21/1980
Gender: Female
Interests: Reading - Christian Fiction - Writing Reviews - Talk Radio - Being an "Evil Conservative" - Frank Sinatra - MGM Musicals - BBC - Chris Botti - Broadway - World War II History - Jane Austen - Middle Tennessee Christian Writers - Books & Literature Editor for The Bridge
Expertise: Books in general, especially Christian fiction...and I'm considered something of an expert on Frank Sinatra in certain circles.
Occupation: Inventory Associate
Industry: Retail
Message: message meEmail: email me
Website: visit my website
Member Since:
5/9/2005
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Spoilers...
A drought's hit Nottingham in episode 7 of Robin Hood - a potentially deadly situation exacerbated by Prince John's need to be loved by the people. Robin (Jonas Armstrong) and Isabella (Lara Pulver) still have a thing for each other. I mean you know its real when Robin waltzes into town to bring his lady luv strawberries. The double entendre in that scene had me rolling, LOL! But I have to say, how freaking stupid do you have to be to stage your little strawberry rendevous in full view of Prince John's (Toby Stephens) window. Yeesh. *rolls eyes*
So Prince John sees Robin and Isabella together and orders Guy (Richard Armitage) to follow the two of them around to determine her where her loyalty lies. At this point like there's any question about that, but whatever, I get it, it's not like there's no precedent on this show for characters being really dense. I loved every single scene Toby Stephens appeared in, the man's portrayal of Prince John is everything I wanted and then some. It could be a bit disturbing to analyze how easily he plays characters that are so in love with themselves, but where would the fun be in that?  I also enjoyed Guy's interaction with the Prince - poor Guy, he obviously thought getting rid of the Sheriff would mean great things for him right off, but that dream has not played out according to plan (huuuugggge shocker, right? LOL). And maybe I'm reading too much into Guy's expression, but Armitage gives the performance a layer that almost, almost makes you believe he feels bad about the whole situation with his sister.
I've got to give credit to the fight choreographers for the way they staged the three-way fight between Guy, Robin, and Isabella - with Robin and Isabella shackled together, no less! (Seriously, Robin is losing his touch - to let Guy sneak up on them like that is tremendously pathetic.) But I thought the fight scene was quite entertaining. And once again Richard comes through as the finest actor on the show by making it seem just barely possible that he wants Isabella to choose him over Robin. Does he not want to lose his one remaining family member? Does Izzy remind him of Marian? Am I completely and overly obsessed with every nuance of Richard Armitage's facial expressions? The questions are endless.
So once Robin and Isabella escape Guy (for now), Robin reveals just how seriously deluded he is about the whole Marian/Guy relationship. I cannot believe he actually tells Isabella, with a straight face, that Marian never gave Guy a reason to feel anything for her. What planet was he living on for the last two years?!
Anyways...Robin & Isabella manage to make it to where the water is blocked, followed (of course) by Guy who locks them in and leaves them to drown. Poor Guy is once again missing a critical principle of this show, that is, if you don't kill someone right off they will always find a way to escape. In the ensuing scene Isabella reveals just how badly she's pinned all of her hopes for escape & a new life on Robin, and not-so-shockingly Robin begins to cave under the pressure. He just can't go there because of the whole Marian debacle - as an outlaw, he can't have it all. Poor boy. So after this revelation, Isabella goes all Gisborne on us and turns on Robin, who has never learned the idea that hell hath no fury like a woman scorned. As brilliant as he likes to think of himself, Robin is not the brightest star in the sky, is he?
One of my favorite Prince John quotes: "Oh please, don't go all enigmatic on me Gisborne. Are they dead?" So Isabella turns on Guy and Robin, and Guy just can't believe the sister he sold would throw him under the bus, but whever. This leads to not only another solidly staged and entertaining fight scene in the dungeon, but some freaking hilarious humor courtesy of Prince John. One of the strongest points of this episode are John's scenes - Stephens gets the chance to throw around some really funny, dry one-liners over and over - LOVED it. Now that Isabella has screwed up Guy's plans for royally-sanctioned power and position, he's got to go rogue...that makes me very happy. Just sayin'. :) I think it could be way healthier for Guy and Robin to bond over being dissed by Isabella (as opposed to the whole Marian mess). Every scene with the rest of the gang bored me to tears - Tuck (David Harewood) comes off as really pompous and annoying to me, and Much (Sam Troughton) is just sad with this hopeless crush he has developed on Kate (Joanne Froggatt). I have to give Kate some credit for annoying me less this episode than she has in all of her previous appearances. Maybe it has something to do with the fact that her hairstyle has changed? I don't know, but don't worry, I'm not about to jump ship and become a Kate fan. | | |
| Not that I'm trying to wish away the holidays or anything, but I am extremely excited about the upcoming Masterpiece Classic season, featuring the premieres of Return to Cranford and a new four-hour version of Emma.
According to this link, Return to Cranford releases on DVD January 19th. There's no Amazon listing yet, in case you were wondering. :) If you've never watched Cranford, be looking for your PBS station to re-air the first miniseries beginning sometime mid-December, or Netflix it asap!
While the new Emma has apparently received very mixed reviews, I'm excited about it (a lot of that has to do with the presence of Jonny Lee Miller, just sayin'...). According to this link, Emma releases on DVD February 9th. No Amazon pre-order link available yet for this release, either. Now if only PBS would release the rest of the Masterpiece Classic schedule, I'd be one happy camper. :) | | |
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Possible spoilers...
The Accidental Husband made a blink-and-you-miss-it appearance in theaters earlier this year, and if I'm being honest here it's not hard to see why. It certainly doesn't break any new ground romantic comedy-wise, but for the novelty factor of seeing Mr. Darcy - I mean Colin Firth - play the thwarted lover, I knew I'd have to check out this movie at some point. And I'm so glad I did - definitely worth the rental. It's silly and implausible but it made me genuinely laugh more than once, and that was needed today, let me tell you.
This movie is sort of an odd cross between The Wedding Planner and Bride and Prejudice. I totally wasn't expecting this movie to try and go all Bollywood as often as it did, considering Jeffrey Dean Morgan's character, Patrick, just lives in an apartment above an Indian restaurant. It got a little random, but I was amused, what can I say? And speaking of Jeffrey Dean Morgan - he's a doll. :) The elevator scene came *thisclose* to reminding me of Rufus Sewell in ShakespeaRe-Told's version of The Taming of the Shrew. If you've seen that little piece of fantastic-ness (Lori!!), you know what I mean...haha!! I sort of feel like making this comparison is heresy, but I have to call it like I see it blog readers. :)
Most of Colin Firth's scenes in this movie are HILARIOUS, especially the moments where his stress eating compulsion kicked into high gear. This was a decent little turn for him as he does a good job balancing being the obsessive-compulsive wrong guy but still being a stand-up character in the end. Shockingly, Uma Thurman didn't get on my nerves at all. She does a good job and has some nice on-screen chemistry with Morgan. I absolutely loved the little scene they share at the very end of the movie. Her character's come a long way and seeing the payoff was nicely done. Oh, and one last acting mention - Ajay Naidu as Patrick's friend Deep - freaking hilarious!!!
I enjoyed An Accidental Husband way more than I expected. It's not destined to become a classic or anything like that, but it was a fun way to while away a couple of hours. I'll definitely watch it again. | | |
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Fall is here, which means it's the best time of year for Oscar-bait films and - drumroll, please - foreign indie films! Woo-hoo! After Lori brought this movie to my attention several weeks ago, An Education FINALLY opened in my area today (have I mentioned lately how much I HATE limited release schedules?!). I wasn't sure what to expect from this film, exactly - after all, this May-December romance had the potential to end very badly for our heroine. But based on the cast, strong reviews, and the almost complete & utter lack of anything that I think is worthwhile actually paying to see in the theater, I knew this would be a must-see for me.
The verdict? I was incredibly impressed and thoroughly enjoyed this movie. Carey Mulligan, a Masterpiece veteran from productions ranging from Bleak House, Northanger Abbey, and My Boy Jack to one of the best Doctor Who episodes ever ("Blink"), wows with tour-de-force turn as Jenny. If she's not a serious contender for a Best Actress Oscar, I will be completely shocked & disappointed. I've enjoyed her past work, but this performance was a revelation - I didn't know she had it in her to so convincingly play an innocent yet incredibly saavy and worldly-wise teenager on the cusp of adulthood. Mulligan fits into the 1960s time period perfectly, and more than once channeled Audrey Hepburn quite convincingly with her delicate balance of innocence and maturity.
Alfred Molina and Cara Seymour (I totally didn't recognize Seymour from her turn as Gillian in You've Got Mail until I looked her up on the IMDB) are perfectly cast as Jenny's parents. Molina especially was fantastic in this movie - he was funny and sincere and touching, all rolled into one. Jenny's parents are an interesting couple to watch - kind of caught in the middle of the traditions of their parents and the feminist movement - they push Jenny to meet her potential, create a future for herself by going to college - but it's a future that will be easily set aside the second suitable husband material comes along. I wouldn't be at all displeased to see Molina get a Best Supporting Actor nomination for his performance in An Education - he had this tendancy to steal his scenes. :)
Peter Sarsgaard plays David, the December to Jenny's May, and oh is he a smooth operator. He positively oozes charm and it's easy to see why Jenny would fall for him. And when he plays her parents - those scenes were priceless! I thought the evolution of his performance was interesting to watch - he begins so smoothly, so confidently, and then that confidence begins to crack a bit as he realizes he doesn't want to let Jenny go. Only when a certain secret comes to light does the worldly facade crumble and you see David as he truly is - a shallow, selfish little boy who never quite grew up character-wise.
Also worth mentioning are the other two members of David's "fast" set - Helen, played by the always lovely Rosamund Pike (a.k.a. Jane Bennet in Pride and Prejudice 2005), and Danny played by the brooding, dangerous-looking Dominic Cooper (a.k.a. Willoughby in Sense and Sensibility 2008). Pike fits this era perfectly - the clothes, the mannerisms, are all pitch-perfect. I had no idea she could play vapid and empty-headed so well, or come across as so funny! Likewise Cooper fit the role of David's friend and co-conspirator well. This wasn't a role that really stretched his repetoire IMO, but I like him well enough and I have to say, he looked good in the suits. I should also probably call out Emma Thompson and Olivia Williams' appearances. If this movie is any indication Thompson is a lock to play Margaret Thatcher in any upcoming biopics. While I have to call Thompson out because she's one of my favorite actresses, Olivia Williams definitely plays the more interesting and critical role in my view. If you look at her IMDB page, she's had quite a varied career, but I have to say that her turn as Jenny's teacher is one of her most striking and memorable. She's definitely channeling "average" here - and it's interesting to see how driven she is, perhaps because she hopes to see some of her unfulfilled dreams live out in her most capable pupil? Thoughts to ponder...
I HAVE to mention the look of the film - the sets and costumes are simply gorgeous! Each frame of film is chock-full of glorious period detail and authenticity. The scenes in Paris, where Jenny sports the fantastic gown seen in the above poster, are like something straight out of Roman Holiday or Sabrina. Those associations only reinforce any Audrey Hepburn/Cary Mulligan comparisons too. And the music - the music was just fantastic. I love it in period dramas like this when the music, whether it's score or songs, is an ideal partner to the action on-screen. The songs - from classics by Mel Torme and Brenda Lee to new recordings by Beth Rowley and Melody Gardot - are sublime. The whole pop/jazz sound of the movie is tailor-made to appeal to my musical sensibilities (Thank you, smart filmmakers! LOL!).
Jenny's story is actually told quite powerfully, and the hope in this story is an element I wasn't quite expecting. Let's face it, Jenny's "education" by the much older David could have ended very badly for her. But she's a girl who doesn't have it in her to simply give up and accept a situation. She's blessed with really supportive, very understanding parents, but what I liked best was how she had to choose to pull herself up by the bootstraps, so to speak, and to use the time she spent with David & his friends to make her stronger. Things could have ended very unpleasantly, or bitterly, but Jenny is a character who makes the conscious choice to learn from all experiences and mistakes - and while that certainly doesn't negate the pain the life throws one's way, it just struck me as a great reminder of the power of choice.
Just a note on the rating - for a coming-of-age film made in today's Hollywood, I thought An Education showed some surprising restraint as far as the intimate side of Jenny and David's relationship goes (a fact I appreciated - you know what happens, but this isn't a gratuitous or exploitive film in that regard).
An Education is a smartly scripted, fast-paced, funny, heart-wrenching, thought-provoking little film - I'm so glad I FINALLY got the chance to check it out. | | |
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This week, the
Christian Fiction Blog Alliance
is introducing
A Prisoner of Versaille
Thomas Nelson (September 1, 2009)
by
Golden Keyes Parsons
ABOUT THE AUTHOR:
 In her deep plowing of the heart, moving from tears one moment to laughter the next, Golden will touch your heart with her dynamic Bible teaching, combined with her vivid personal examples, moving from tears one moment, to laughter the next, all the while communicating the message that God is faithful--keep trusting Him. She has a passion to communicate the Word of God in such a manner that will lead to godly living.
Golden, and her husband, Blaine, have just retired as pastors at Faith Mountain Fellowship Church in Red River, NM. They have three grown daughters and eight grandchildren. Her testimony and myriad of life experiences lend a touch of authenticity to her teaching. She loves to speak for women's conferences, seminars, luncheons, retreats and Mother/Daughter events.
If deep Bible teaching that brings the Scriptures alive is what you want, Golden is the speaker you need.
ABOUT THE BOOK
 Madeleine's faith puts her at odds with an intimidating rival: King Louis XIV.
Having fled their homeland of France because of the persecution by Louis XIV, the Clavell family seeks refuge in Switzerland. However, the king is not about to let the recently widowed Madeleine, his childhood sweetheart, escape that easily. He sends musketeers to kidnap her and her oldest son, Philippe, holding them captive in his opulent palace. King Louis is suspicious that Philippe could be his son, and he's enraged by the growing affection of one of his courtiers for Madeleine.
Will Madeleine escape the king with her life or lose everything that she's fought so hard to keep?
If you would like to read the first chapter of A Prisoner of Versaille , go HERE | | |
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