the sheets off my diary

Sunday, August 24, 2008

  • À la Recherche du Présent Perdu


    It was Flaubert ("our most respected, honored master, " as Hemingway called him in a letter to Faulkner) who moved the novel away from theatricality. In his novels, the characters meet in an everyday setting, which (by its indifference, its indiscretion, but also by its moods and magic spells that make a situation beautiful and memorable) constantly intrudes on their intimacy. Emma is having a rendezvous with Léon in the church, but a guide latches onto them and interrupts their tête-à-tête with his log-winded, inane chatter. In his preface to Madame Bovary, Henry de Montherlant is ironic about the methodical nature of this way of bringing an antithetical motif into a scene, but the irony is misplaced; for it is not a matter of an artistic mannerism; it is a matter of a discovery that might be termed ontological: the discovery of the structure of the present moment; the discovery of the perpetual coexistence of the banal and the dramatic that underlies our lives.


    -Milan Kundera, taken from Testaments Betrayed
  • lip


    You know crunchy peanut butter slathered generously onto cheesecake tastes like heaven. The crunch and the melt.

    You know how whipped butter smells like heaven and tastes like paradise, a little like cheese? For years I'd been deigning to buy Body Shop's Vitamin E lipbalm; it was only when they didn't carry the cocoa butter flavor in Aussie that I had no choice. Rather than hemp which was too herbal, and which was way more expensive as well.

    It smells and tastes like whipped butter.

    Something I completely adore.

    My lips. Whipped butter. Lovely.


  • la nina


    Yesterday I brought the latest addition to my mini-zoo home.

    Last week I had reserved her. Either her or her brother. They were immensely cute, and still suckling with their very gentle mother.

    This week, all three had been separated. The babies are only three weeks old.

    Both became fierce, with that ultrasonic-sounding buzzing hamster hiss. Nervous, stressed, hostile.

    I deliberated, which one should I bring home.

    So I took a look at all the adults as well. They were all pretty unfriendly, except the mother. But I wanted a young one or a very pretty one.

    This one is fair like anything.

    So the girl eventually warmed up to me. She's so cute.

    The Mother prepared the cage, including Sacha & Bianca's Snack Bar where they used to wheedle in to sleep inside.

    Little Girl took to it like a fish to the water. She loves her tissue-paper nest where she pokes her head out of. She still squeaks, naughtily. And loves to spy, the way Mocha I used to.

    And she is greedy like anything.

    Snuggles' cage is next to hers. It's a juxtaposition of the very old, ancient one with the very young one.

    Snuggles, happy and joyful despite his anomalous old age. A Methusalah, perhaps.  Despite his tumors.

    Snuggles, the end to Cole & Silverstreak's 6-year legacy. Even if I initially sought to look for traces of their progeny, I realized I had to open my heart to a new hamster, the way they entered my lives when I was so much younger.

    I didn't know what to name her. And then it hit me. Little Girl. La Nina. The weather phenomenon. She's a handful and a bundle of joy. She's also like a typhoon. A whirlwind. A cyclone. A hurricane.



     
  • rain


    Today it rained.

    I obviously underestimated the power of rain. In a cumulative sense as the drops splatter on your being.

    Despite an umbrella, I was soaked to the bone.

    Despite being drenched, I never felt happier.


  • Vietnam needs to remember famine of 1945



    BYLINE: David Koh, For The Straits Times

    SECTION: REVIEW - OTHERS

    THE Socialist Republic of Vietnam declared its independence on Sept 2, 1945. The declaration came at the tail end of a famine which began in 1944. The famine still haunts the consciousness of many who were alive then.

    An estimated two million Vietnamese, or 10 per cent of the population then, died during the famine. By comparison, three million Vietnamese were killed during the Second Indochina War, from 1954 to 1975.
    The causes of the famine are hardly in dispute. In 1940, the Japanese army occupied Vietnam but left Vichy France in charge of its administration. By the terms of the May 1941 Franco-Japanese treaty, French Indochina had to supply grains to Japan. From 1941 to 1944, Vietnam supplied 700,000 to 1.3 million tonnes of padi and maize to Japan, roughly equivalent to 50 to 80 per cent of its grain production. And a fairly significant acreage was forced into the production of jute, hemp, cotton and castor-oil plants - also for Japan - thus reducing food production. The wartime destruction of roads and other transport infrastructure made it difficult to transport excess food from southern Vietnam to the north. What ensued was tantamount to genocide.

    Many victims walked long distances to provincial capitals, and thousands marched on the capital, Hanoi. Survivors resident there then tell of long lines of ghost-like figures trooping into the city. Hanoi families often found corpses in front of their homes. Huge pits were dug in rural areas near Hanoi for mass burials. The wages paid to burial workers went down by the day, and in Hanoi people were soon burying bodies just for a bowl of gruel. The dead in rural areas were left in the open to rot because people did not have the strength to bury them.

    Extreme conditions drove many people to extreme behaviour. The vomit of one became the food of another. People followed horses and oxen to eat the dung or to search for the occasional undigested pieces of food in the dung. Food in the mouth was not necessarily secure, because there were frequent fights to force food out of mouths. People stole, robbed and killed for food.
    One family that made cakes for sale reports how it made cakes from earth to guard against theft. Customers would pay for the earth cakes and redeem them for real ones later elsewhere.
    There are stories of how infants were eaten up by hungry dogs. Parents would leave their children at home to go look for food, only to find blood and bones in cribs when they returned.
    Vietnam has not set aside a special day in the year to remember the victims of the 1945 famine. The narrative of Vietnam's independence and reunification often mentions only in passing this dastardly crime inflicted on the Vietnamese.

    What purpose would a special day serve? Food security has again become a matter of concern. Vietnam is now the second top rice-exporter in the world. The government enforced a suspension of rice exports earlier in the year, but it has been lifted since. Then there are the higher frequency and intensity of natural disasters that strike Vietnam every year, in particular the typhoons that bring flooding, damaging crops and harvests.
    Still, in a global economy, Vietnam's obligations to export rice must be observed but remembering the famine will encourage people to plan for a rainy day. Steady growth over the past two decades has brought about levels of consumption that are unreal and even unsustainable. Vietnam now has only US $20.7 billion (S $29.4 billion) in reserves, roughly equivalent to the government's annual budget. One day, the good life will come to an end and the Vietnamese will wonder where all the money has gone.

    The Vietnamese government should think about how the entire country, not least the government itself, can put aside more in reserves - not just in money but also in kind - in times of abundance. It should think too of a more comprehensive scheme of security, especially food security.


    The writer is a senior fellow and Coordinator of Regional Strategic and Political Studies at the Institute of Southeast Asian Studies.



  • fleur

    I rejoiced when it rained because when it's stuffy, you can get really itchy. And you know the deal with vicarious itching-- you see someone scratching and then you feel itchy too. I'd always been idiotic enough to collect tights and stockings and a whole throng of winter/fall jackets even though it's always summer here. It's ridiculous because I don't work in an office, so even if it's cold in school (I call uni/college 'school' because it just rolls off my lips), walking from place to place and the commute only means perspiration is the only constancy. Only during the wet monsoon season does the skies begin to open and pour forth. Anyhows, everytime I come back from a colder country I start becoming unaccustomed to the persistent humidity here, and then can I sit in an air-conditioned lecture theatre in thin clothes and not freeze. Most of the time, I can be in three jackets and be shivering, the blood flowing far away from my lips transforming them into corpse-white. As usual, ever since the return, I've been craving cold(er) weather and have since hung up my stockings, resigned that they should only be used when temperatures begin to drop. Rain, rain, rain felt like manna from the heavens. The perfect occasion to throw on my tweed dress (another Singapore-weather impractical number) and stockings. At the last minute did I decide to throw in the yellow clutch and the yellow-and-white polka dotted pumps. Plus the hairpiece. Even though I got quite a bit of stares, it's always interesting to imagine what the hell is lurking in the minds of others'. Like, "What's this psycho girl doing wearing that floral thingy". It's okay. You know those Philip Treacy headpieces? Oh God, I've always loved them to bits, tears and to death. When I move to London I'm going to finally be able to wear them and not look idiotic.

    How I got this tweed dress precisely reminds me of my silliness. You know how cheaper brands sometimes have shoddy workmanship, and come without inner lining? Well, the latter condition is suicidal in humid conditions, you become unbearably itchy. So I shelved the idea of buying a tweed dress for some time since it'd be expensive and I'd only wear it once a year. My debit card is awful, it only allows me earn 1 pathetic point per four (or is it five?) dollars spent. Which means no matter how much I spend, it's still extremely little. Contrast it to an Amex Platinum wherein one can earn eight (and with Platinum Reserve, plus ten) points per $1.60 spent! With awesome gifts. The moral of the story is that I know people who charge tons to their cards, that amount to an eyepopping number. So rather than let their points go to waste-- which is what they always do-- I'd always be shamelessly and (rather) sweetly asking, "So could I cash in your points for (insert label's) voucher?" Of course, they're always happy to do a good turn unto me (ho ho ho). My entire ethos is that technically, I'm not accepting gifts, but rather, I'm not wasting money. Until one day I looked at my own debit card statement and nearly died of shock. Heck, I had accumulated enough to get quite a few vouchers. Talk about PotKettleBlack. So I claimed a Zara one, and walked into the store. This dress caught my eye, in its navy-grey color that reminds me of Russian Blue cats. From the puffed sleeves to the not-too-low neckline, I was sold. That was when I still used my Mini Debit, which is 2/3 of the size of a normal plastic. It's so adorable, and people always go, "I love your card" which makes me laugh because I think, "Heck, you don't even need to pay any subscription!". Especially when I travel, the cashiers always start to nudge each other and show each other my card. I liked it because it was so. . tiny. This year the bank decided to discontinue that card. My heart sank. And they mailed me another plastic instead. A full-sized lurid red one that is terribly designed. Since the ugly one doubles up as a transport card, I decided to keep it that way. But I've since used other plastics that give me oodles of points so I can claim oodles of vouchers. But heck, given how I'm on an Expenditure Diet, just how many points can I accumulate.

    dress Zara; shoes Delicious; clutch free gift from L'oreal; headpiece Sportsgirl; stockings Ice Lemon Tee

    *******

    When I awoke on Thursday I nearly died of shock. My alarm didn't ring because 'am' was set to 'pm'. It was 840am, my father thought I'd decided to cut school and strolled into my room to confirm that. There I was curled up on the bed like a hybrid of a lazy cat and a dead baby, lost somewhere in Sandman's Turf. Doubtlessly, I jumped out of bed. My parents are like that, they're used to me cutting school, and ever since I went to uni and decided I should learn to show up in school more often, they start telling me when I awake, "Go back to sleep". And then, highly open to suggestion, sometimes I stupidly walk back to bed. I had to leave home by 9am in order to make it for a 1030am tutorial. Shit, I thought. I normally awake an hour before leaving home to squeeze in about 70 micro-actions which includes snoozing to forcing in my contact lenses to ironing my clothes to making and eating breakfast. A bloody feat, especially if you are highly vain, must wear mascara everyday, and have curls to maintain. Sometimes out of perverse pleasure do I like to time how fast I can get-- the record time being 35 minutes. I closed my eyes and told myself, I'd achieve it in twenty minutes. This was the outcome. Y'all know how when many say they awoke late and threw on anything, it's normally jeans and some tee, but for me, I think that would take even longer. My Thursdays are insane, I sometimes wonder just when will I collapse of exhaustion. Like this. 1.5 hours commute, 1 hour tutorial, 3 hours cognitive research and quick lunch, 3 hours seminar, 1.5 hours commute, 3+ hours tutoring, then dinner, then home. Then some schoolwork or research work to catch up on. It's even more hectic now that my paper's been accepted at a conference. But. . irony of ironies is that I cannot go! I cannot go for an all-expense trip to Chicago! I cannot go for my first conference in the domain of Psychology! All because it clashes with my examination dates. Bleah. Bleah. Bleah. This is what I mean by my proclamation that I am Murphy-Sod's poster girl.

    I love those wedges, but now I lament, "Dear VNC, why the hell are your shoes so fugly now!?!?" It was the store The Best Friend and I spent so much time in between 17 to 19 years old, hauling home many pairs of shoes everytime. We suspect their designer got poached, that wacky man who always chatted us up.

    dress from Brunswick Markets; wedges VNC; bangles Dorothy Perkins and the zoo; earrings vintage

    *******

    I got this corset-like denim belt from Aussie as well. I'd always been sketching stuff like that since young, but never saw any here. I have a huge huge huge corset fetish and one day when it becomes practical to me, I will (get someone to) invest in a huge collection for me. Sometimes it worries me the types of taste I have. I like those dress-up stuff, bondage-like shoes, and those black feathered gear that seem to be favored by high-class callgirls at adult masquerade parties. Worse is how I never realize that these stuff make people giggle, euphemistically speaking, and they have to point out to me just how (insert adjective) the thing I have looks. I slipped it over one of my mother's tea dresses which I mercilessly slashed to make it length-appropriate for me. She has a bad habit of waking me up and asking me, "Hey you bought (insert item?) and oohing and ahhing". Which is crazy, because I need my sleep! (Okay, some nights I survive on two hours only). But she gave me this absolutely stunning idea. A huge version of this corset belt worn as a boob tube, and with a structured jacket thrown over it. Oh, why didn't I think of that. Then I would have bought two belts, not one. But it's been more than three weeks and I've only purchased two books (rather than three a week), and a whole hoard of sarongs and gorgeous saris secondhand for only $5. That's all. Therefore, I haven't been disturbed out of my sleep when she discovers the stuff I secretly smuggle home all the time.

    As for the psuedo-ship anchor chains around my neck, don't ask. I love gold way too much, after I decided that pretending to like silver (when I was wayyy younger) because it was hip and young just wasn't me, and that gold suits me way better. If it wasn't so hot, I'd be in all my gold lamé stuff all the time.

    dress M&S (my mother's); belt Supre; chains vintage; earrings ? (gift); clutch Guess?; shoes Therapy

    *******

    I swear I will never rest until I get the full set of holiday snaps sorted out. Most are still floating in the limbo of  my hard disk. .

    This was when we went to the Old Melbourne Gaol. I wore the same floral dress as above.

    It's replete with creepy energy, with the cells of the most vicious criminals ever. What struck me was how young most of them were went sent to the gallows-- around 19 to 20. Which is younger than me. I suppose, conditions of extreme poverty (since many of them were workers and settlers) brings out the ugliest in brutality, forcing the Hyde out of Jekyll. 'Nuff said.

    These are the parts of the prison that are still in existence. The others have been converted to parts of the campus for RMIT, or demolished. I asked my housemate there, whose sister's home I bunked in, if she worked within the parts of campus that were old prison ground. She said, "Thank God, no! I would be so freaked out!" It was quite funny, because a bunch of us were exchanging creepy tales over drinks a few nights ago. And yup, that was where I got my gaol keys which have been re-configured into a necklace since.

    dress from Brunswick Markets; boots Charles & Keith; handbag Chloé; scarf vintage; socks Bond's'; earrings vintage; trenchcoat Alano; ring Mango

    *******

    This was my first day in Brisbane. We went shopping around the markets. The sites said, "Be ready to spend an entire day at (said) market". And what happened? We spent half an hour, and then walked to another market, and then walked here there everywhere, through the mall arcades and. . essentially, this is what happens when you're infamous for shopping too fast. Sometimes I can murder my fellow gurlfriends for shopping sooo slowly, trying things on soooo slowly, and deliberating at an even slower speed. Men are better, they shop really quickly. My cousin shops fast too (yay!) I'm said to have the shopping appetite of a girl, and the speed of a man.

    dress Mango; coat Cotton On; headband beaded by friend; ring Forever 21; bangles Forever 21; earrings Six; boots Charles & Keith; handbag Chloé

    Have a glorious weekend!


  • Chinese, but Singaporean



    THE world changed on Aug 8. The Beijing Olympics' opening ceremony was not quite a man-on-the-moon moment, but it came close.

    It marked China's re-emergence as a great power, some said. It was a Sputnik moment for the West, especially the United States, others said. It made Chinese proud to be Chinese, the Chinese said.

    The last was a perfectly understandable reaction. But did Chinese here mean Chinese nationals or ethnic Chinese everywhere? How were Chinese Singaporeans to react to Aug 8? The world changed that day, certainly. Did Chinese Singaporeans change along with it?

    The Sunday Times ran an interesting series of articles last week on the subject, all written by Chinese Singaporean journalists. Two were from Lianhe Zaobao: Mr Chong Wing Hong, an alumnus of Nanyang Univerity, and Ms Yew Lun Tian, a graduate from a Special Assistance Plan (SAP) school. Three were from The Straits Times: Mr Teo Cheng Wee and Ms Hong Xinyi from SAP schools, and Ms Goh Sui Noi from an English school.

    The articles ran under the collective headline: So Proudly Chinese. A better title would have been: So Confusingly Chinese Singaporean - And Proud Of It.

    As it so happens, it was a Straits Times journalist, Mr Teo, who seems to have felt proudest to be Chinese on Aug 8. 'I don't think I have ever felt more proud to be Chinese than when I was watching the opening ceremony that night,' he wrote.

    The Zaobao journalists were a tad cooler. 'There is no denying that cultural pride welled up in me as I took in the show,' Mr Chong admitted. 'But I was also a detached viewer, with questions popping up in my mind during the proceedings.' And he could be detached because he was 'no true-blue Chinese', he remarked. 'Singapore, where I have grown up, is my home.'

    The other Zaobao journalist, the younger Ms Yew, was similarly taken with the display of Chinese culture. 'I swooned with pride as China presented its cultural heritage icons in splendid glory,' she reported. But she was, simultaneously, as detached as Mr Chong.

    'By the fourth or fifth item, I contemplated surrender,' she wrote, not altogether tongue-in-cheek. 'Okay, okay, you win, you're the best, let's just get on with the show.'

    SAP schools' alumni have been accused by the purely English-educated as being culturally monochrome. If the culturally monochrome can encompass so peculiarly a Singaporean turn of irony, I say let us have more SAP schools.

    And that was what was most interesting about all the articles: They were all, to one degree or another, ironical - irony being, by definition, the conjoining of two or more irreconcilable ideas or thoughts: I am Chinese; no I am not. I identified with Chinese culture; I am different. I felt moved by the display; enough already. It was an altogether productive confusion.

    And revealing too, for 50 years ago there would have been very little of such confusion. Cultural nationalism preceded political nationalism in Singapore. It could not have been otherwise, for this place was not a nation then. To be a nationalist was to be a cultural nationalist.

    Thus, when Mao Zedong said on the steps of Tiananmen: 'China has stood up', Chinese here felt it had stood up for them too. Similarly, Malays and Indians here were inspired by the Indonesian revolution and the Indian national movement, respectively. The very idea of a Malayan nationalism - there was no such thing as a Singaporean nationalism then - had its origins in the exogenous cultural nationalisms of Singapore's component races.

    A grand-uncle of mine is illustrative. He was born here, never visited India in his life. And yet, in 1946, when Jawaharlal Nehru visited Singapore, he skipped work to go greet him. When asked by his boss why he had absented himself without leave, he replied: 'I went to pay homage to the uncrowned king of India.'

    His employer, the British Naval Base at Sembawang, sacked him. Today, his children and grandchildren, my cousins, would not bother going to greet Nehru's successor, with or without leave.

    Another illustration: The Straits Times newsroom virtually stopped work last week to watch the table tennis semi-finals and finals. Former Chinese nationals, now Singaporeans, beat South Koreans - deliriously happy faces all round. Our Chinese lost to their Chinese - glum (especially Chinese) faces all around.

    On Aug 8: 'so proudly Chinese', 'I felt one with them'. Barely a week later: 'I'm most certainly not one of them. Four years from now, we'll beat them - with the help of their Chinese, if necessary.'

    For better or worse - and it is mostly for the better - we are culturally Chinese, Malay or Indian.
    As China and India become great powers, they will in all probability instigate a degree of cultural pride among overseas Chinese and Indians everywhere, including Singapore. We would have had little to do with their becoming great powers but we would feel a little reflected glory.

    That 5,000 years of civilisation, that is mine too, as Mr Teo said, and it continues to do admirable things that one can identify with. And he would not be wrong to feel that way. Zhang Yimou produced the Olympics' opening ceremony. Our cultural impressarios produced the Merlion. You do not have to be Chinese to recognise that there is no contest - culturally.
    But politically, there is - or rather, was - a contest, and the 'Singaporean' in 'Chinese Singaporean' has won.
    Every one of the journalists who wrote last Sunday proved that point, almost unconsciously. They belonged to different generations, pre- as well as post-65ers. Some were effortlessly bilingual, some so-so. Yet all said, in varying ways, that their identities were not based solely on race and culture. Yes, I am Chinese - or Malay or Indian; no, I am definitely not.

    That actually was as good a show as the one Zhang Yimou put on - better, perhaps, for there was no lip-synching and everyone spoke in his or her own voice.

    janadas@sph.com.sg


    The Straits Times (Singapore)

    August 23, 2008 Saturday


     

Friday, August 22, 2008

  • leap of love



    Chang Li-Ann, undergraduate of the University of Singapore in 1980, wrote, in the middle of a boring lecture, a love poem to an as yet non-existent lover. She wrote with feverish energy, the tip of a pink tongue curled against upper lip, a swatch of hair fallen over one shoulder, unaware that watching her, were four pairs of eyes belonging to four already existing lovers-- if only she would allow them that role.

    The pen, gripped firmly, glided effortlessly.

    One of the hopeful young men who always went through an elaborate pretence of looking for a seat in the vast, seldom filled lecture theatre, his eyes tightly narrowed in earnest, frowning search, before alighting, with a great show of surprise, on the seat next to Li-ann's, now made the mistake of craning his neck to peep at the mysterious words flowing so smoothly from her pen. He withdrew instantly, stung by a cold look and an angry had slammed protectively over the writing.

    For all his ardent admiration of her, the poor young man's existence went entirely unnoticed, except when it obtruded on hers, as so many stares to be averted, so many unwelcome offers of favours to be instantly declined. Undaunted, the poor young man whose name was Raymond Tan Sin Liang, watched, hid, followed. Once, he had left a bouquet of roses outside the door of her hostel room, with a card of effusive declaration tucked among the blooms. He had very foolishly decided, in a sudden access of bashfulness, to hide the elegantly beribboned roses under a huge mess of old newspapers.

    Li-ann had stepped over them when she returned, and the cleaning women had later swept them into her dust-pan.

    Raymond Tan Sin Liang, after the unfortunate incident of the roses, began to look elsewhere, his ardour by no means diminished, stoically smiling through varying degrees of female rejection. Then, in 1983, the year of his graduation, he was finally rewarded. She was a graduate from a polytechnic, pretty enough, and not fastidious as to looks or social finesse in a partner. Above all, she loved him for himself. To her, Raymond could now give, in full measure, the love of his simple, generous heart. He became a a very happy man.

    But that would be 1983, still three years away. Now that honest heart found no takers.

    The boring lecturer droned on, and Li-ann wrote on, now and again casting a suspicious glance at the intrusive peeper. She wrote defiantly and breathed life into a dream. Hitherto only an abstraction in the golden nimbus of her imagination where he had been sole resident for the past year, the ream now tumbled upon the solid back of a brown, used envelope, and acquired a habitation and a name.

    She decided that like her, he was born and brought up in Singapore. Like hers, his name bore the chic hyphen. Wu-er-- she still did not know what he looked like-- was the sole recipient of all the love and ongoing that her young, ardent heart was capable of.

    She wrote:
    "There is a place I want to go to, but I don't know where
    There is a someone I want to meet, but I don't know who."

    Hers was a love, nurtured to fullness, in search of a lover. She had to fall in love with love, before she could fall in love with a person.

    She knew now. The place did not have to be Singapore. The name did not have to be Wu-er. These were only playful games of the imagination that she allowed herself while she waited. Playfulness, it was said, was the lover's special claim and privilege. All lovers, in their joy, became children again. For the present, she would be playful on her own. When HE appeared at last, he whose name could only be designated by the exalted capital letters of breathless worship, she would have a partner in love's laughing innocence.

    When would he appear?She would know, with a certainty of the heart that surpassed any understanding by the mind, inferior organ by far, in the eternal human quest. She would know when place and person came together in the moment of love's epiphany. The road to love's Damascus had its blinding lights tooL she would be dazzled for one moment, then get up, rub her eyes and come face to face with  the promised presence waiting at the end of the road.

    "This is the greatest nonsense I've ever heard," said her mother who had been very anxiously looking for a good match for her very pretty, very intelligent daughter from her seventeenth birthday. Now approaching twenty-two, Li-ann was in danger of the worst fate that could befall women-- spinsterhood. Mrs Chang's loving, motherly heart suffered severe palpitations at the horrible prospect.

    She stood before LI-ann and raised her left had to show five outspread fingers, each representing a missed marriage opportunity, each hence a btter maternal disappointment. With the forefinger of her right hand, she systematically went through each of the five big fish that her daughter, foolish, headstrong girl that she was, had allowed to get away.

    One, the youngest son of a High Court judge; two, the economics graduate who was a President's Scholar; three, the son of the business tycoon T.C. Khor who was a bit of a playboy but would surely settle into the contentment of domesticity after marriage; four, Terence Yong who came from a poor family but was holding a high-salarried job in an international finance company; five, Richard Low who had all the makings of a good husband and provider, though he was a little overweight, and not as good-looking as the rest.

    They had all come courting, had all been allowed a date or two and then consigned into oblivion> After each date, as soon as the car roared away into the night, Mrs Chang, in pyjamas and curlers, appeared, followed her daughter to her room, watched her kick off her shoes and unzip her dress and said, "So?"

    Li-ann who had a perverse pleasure in teasing her mother and watching her dilate her eyes or throw up her hands in horror said, "Mother, don't you understand? he cannot pronounce the 'r' sound and he begins each sentence with 'I understands. . . "

    Mrs Chang said severely, "Young lady, don't you act stuck-up!" Her daughter allowed something as trivial as English grammar to negate the value of a high-paying job, a good family background, a totally dependable moral character.

    Li-ann said, "It's no use, Mother. I keep telling you, but you won't listen. HE's already there, waiting for me."

    An absurd figment of girlish fancy standing between spinsterhood and fulfillment, between stigma and prestige! Mrs Chang grimaced and twirled a forefinger against the side of her head, to signal the onset of madness in her daughter. But there was a glimmer of hope in her eyes when she asked, "What about K.S.?"

    K.S. came far below any of the five, since he had no car and lived in a small, government-subsidised flat with his parents and sister. But Li-ann seemed to like him. She had seen them laughing together. SHe had peeped in, in her pyjamas and curlers, and seen them holding hands on the sofa. K.S. could be the last hope against a husbandless future.

    Li-ann said, "My heart says, 'No, not him.'"

    "Heart! Heart! Why don't you listen to your head for once? In a few years' time you'll be twenty five!" cried Mrs Chang, in exasperation, twenty five being the age for the alarm bells to start ringing shrilly.

    She decided to resort to a shrewd maternal strategy that was known to have worked well: "Look at all your friends. They have boyfriends already. You are the only one left out." She held out the bleak prospect and watched her daughter's reaction. Li-ann was unmoved.

    She resorted to a final, desperate strategy. Her eyes suddenly filling with tears, she said, "Who will take care of you when I'm gone?" Li-ann remained unmoved ad went on to brush her hair and get ready for bed.

    She liked K.S. He had that something that the others lacked, a refreshing air of nonchalance, an ability not to take himself too seriously. Perhaps that was a cover for the depth of his feeing. He called frequently. "So?" he would sat, going straight to the point. It was amazing how into that single monosyllable a mother could squeeze so much reproach, an aspiring lover so much hope.

    Her own language for repudiation as less terse: "Oh, K.S., you know I can't. I've already explained things to you."

    No aspiring lovers, facing the beloved in the solidity of flesh and blood, likes to be outdone by a rival not yet in existence. He hid his vexation in childish play, taking out an imaginary knife to slit, with a flourish, the throat of his imaginary rival.

    K.S. said with the bright gleam of sudden understanding, "I think I know what it's all about. You've been for too long on a diet of romantic literature where love's fulfillment is actually its unattainability. All those brooding, sullen heroes of Victorian novels that you girls swoon over, standing tall and upright out there upon a wild heath in a wild storm, out of reach. I bet you have devoured hundreds of these novels." He watched for her reaction. There was a suppressed amusement which animated her features and mad her look so beautiful his heart ached. But he went on with the spirited accusation. He got bolder. "Hey, rid yourself of those false dreams. If I were a surgeon, I'd recommend an illusionectomy."

    She threw a cushion at him. He threw it back, and was upon her in an instant, his face very close, except that she moved hers aside swiftly, so that once again, he missed the opportunity for the first kiss.

    She laughed. Now she knew why she liked him. He had such a wonderful way with language, such a delightfully refreshing way of expressing his feelings, whether of annoyance or longing.

    She liked K.S. very much. But he claimed no part of her heart. It was a heart rich and abundant, ready for the claiming, and the claimant stood somewhere along the path. Fate was leading her. At some point, Fate, ever a gentle, benign presence, would stop, bend down and whisper, "That's HIM", closing the first chapter of ardent search and opening the next one of joyous meeting, discovery and fulfillment.



    "I don't believe this," said Li-ann. "Resorting to a fortune-teler, in my desperation to find a man."

    The desperation was actually her mother's. Mrs Chang had come home one afternoon excitedly exclaiming, "Fantastic! The name, the age, even the mole on the right cheek! And she doesn't accept any money, only a donation to her temple. Imagine predicting the mole! And she can walk everywhere without help."

    Slowly, patiently, Li-an pieced together the story. One of her mother's mahjong friends, Mrs Khoo, had discovered an old, totally blind woman living in the Cheng Si Tok Temple, who had the uncanny ability not only to find her way around unaided, but also to look into the future. Her gift moreover took on the clear focus of a specialisaion, choosing to be at the service only of unhappy young women in search of husbands. It dedicated itself to love alone, and scorned to be used for men and women in search of health or that coveted prize in the Grand Singapore Lottery every month.

    An old, blind woman, approaching ninety, who had never married and would die a virgin, held young women's soft trembling hands in her old, gnarled ones, and warmed their hearts with hope. There were rumours that he had been a very beautiful girl in a small village in China, had become blind uner the most cruel circumstances, and then awakened one morning to find the gift.

    She had told Mrs Khoo's twenty six year old daughter that she would meet a man soon, describing him in detail. Mrs Khoo said that when her Rosie was introduce to Albert recently at a dinner party, she almost fainted upon sight of the mole on the right cheek. They had been dating since.

    Mrs Chang said firmly to LI-ann, "Tomorrow we go together to the Cheng Si Tok Temple. I've got an ang pow ready," the cash donation being a substantial one, in keeping with her generosity.

    Li-ann affected a massive indifference that hid an overpowering curiosity. She had heard that one in three women in Singapore had, at one time or other, consulted a fortune-teller about love or marriage, on behalf of daughters, sisters, best friends or themselves. With her dream securely locked in her heart, she would offer herself, with amused detachment, as one more statistic.

    She had three good friends at the university with whom she shared her secrets.

    "Well?" they asked. "Did the blind one tell you hen you will meet your dream man? Does he have a mole on his cheek? Or any observable part of the dream physique?"

    They were inclined to be irreverent. They all had boyfriends and dated furiously.

    "Nothing," said Li-ann. "She took my hands and began to talk rapidly. It sounded like a lot of gibberish to me. I didn't understand the dialect. Mother did and was upset. We left quickly."

    It had been a strange morning indeed. Mrs Chang, hoping to hear good news, saw the old blind woman suddenly drop her daughter's hands and begin to sway from side to side on her small, wooden stool, shaking her head and making strange little sounds. Mr Chang watched for a while, in growing alarm, then decided to drag her daughter away, but not before pressing the ang pow into the old one's hands.

    "Well, what did she say?" Li-ann had asked. Her mother became evasive.

    "Nothing, nothing," she cried. "Don't tell anyone."

    "But what did she say?" Li-ann persisted.

    This time her mother was angry. "it's Mrs Khoo's fault. She should have been cleared about something she told me. It seems the old one sometimes gets into strange moods and can't tell fortunes. Or tells them all wrong. Mrs Khoo should have informed me properly."

    "Mother, I still want you to tell me what the fortune-teller said."

    "Something about pain and fire," said Mrs Chang slowly, in an awe-stricken voice. But turning to her daughter and vigorously fanning her body with both hands to disperse any malodorous airs that might still be clinging to it from that very regrettable visit, she said, with a final show of great casualness, "don't htnk about it anymore. And don't tell anyone." Neither of them had spoken of the incident since.

    "Pain and fire," repeated Kim, the closest of the three friends. "She means you'll have to go through al the tortures of love's true paths, which never runs smooth, you know."

    Li-ann pitied her friends. For they could not love, or chose not to love with joyous and complete abandon. In moments of honest, they qualified their love for their boyfriends with so many 'buts' and 'ifs', hateful words that should have no place in love's vocabulary.

    Kim said, "I love Soong but. . . ", meaning that she was aware of all his shortcoming, including a tendency towards childish, selfish behavior, and the non-possession of a car which sometimes caused inconvenience in their dates. But he was better than no one; she had been so lonely since she broke up with LAwrence.

    Suneetha who was even more forthcoming with her secrets, said, "I'll give all my love to Sanjay if. . .". The conditional had something to do with his meekness in the presence of his formidable mother who dictated the color of his shirts and ties, paced the floor with angry energy if he came back late from a date, and reduced his girlfriends to tears.

    "Then why are you still dating him?" demanded LI-ann.

    "I don't know," said Suneetha miserably.

    She did know.

    If Patrick, someone she had met in London a year ago, flew back to Singapore, appeared on her doorstep and said, "I've decided to take a job here after all. For your sake, " she would instantly call Sanjay, write him a kind but firm note, or simply ignore his calls until he got the message and stayed away. Goodbye to all that. It would be so easy.

    But it was Jennie who went the whole way of brutal honesty.

    "You want to know how much I love Julian? As much as he loves me, no more no less. Last wee was more, this week is going to be a little less. You want to know for how ling? Until I meet someone better. Then it's bye, bye! Don't be shocked, He's planning the same move. I know. It's all a game."

    Jennie reduced love to a transaction of exact reciprocity-- so much from you, hence this much from me. Worse, she made lovers look like two sleek-shanked animals tensely, warily circling each other, waiting for the next move.

    Kim, Suneetha, Jennie-- they squandered their love uselessly while waiting for the right one to come along. Soong, Sanjay, Julian-- they were only lovers by default, lovers in transit, the pitiful consolation prize in love's grand lottery.

    It was horrible, the purity of this marvel called love, debased by the crude calculations of an abacus clicking away in the brain. She saw Kim, Suneetha and Jennie, three pretty maids in a row, their arms folded across their chests, their brows deeply knit, their eyes tightly narrowed, in a mental concentration on love's algorithms of cost and benefit.

    She would never allow the tiniest crack, the smallest stain in her love's crystal.

    Now it was the turn of the three friends to attack her. They said, "Why are you so sure that you will meet your Mr Right, your knight in shining armour on the white charger?"

    She winced at the banality of the allusions, Mr Right suggesting the caricature of comic books, the knight in armour, the trite imagery of cheap romantic fiction. HE was simply "The Promised One", promised by Fate who had peeped into her heart and understood its yearnings ever since, at the age of twelve, she had looked scornfully at the gawky, immature boys around her and swore she would never get married, and at twenty had decided she wanted to get married after all, but in the way her heart wanted. Thereafter she had embarked on her secret dream. She made a bargain with Fate; Fate would deliver.

    "Even if you met such a person, how would you know it was HIM?" Her answer irritated them to the point of exasperation/ The heart knows. The heart does. The heart simply is.

    What sort of answer was that? They threw up their hands tat the outrageous illogicality of it all. Li-ann, one of the most promising students in the final Year Arts course was unbelievably irrational when it came to love and marriage.

    They would not let go, and persisted with their questions, determined to drag her out of her irrationality.

    "Even if you knew it was HIM, how could you be sure that he would return your love?"

    Now it was his heart. His heart would know. It would know instantaneously and respond, in full measure.

    The absurd girl had reduce love's long arduous process of meeting and discovery, evaluation and adjustment, deliberation and decision, to one blinding apocalyptic moment, There was nothing more to ask or say. They threw up their hands once more.

    "Well good luck to you, you incurable romantic, and to that super, know-all organ of yours. Tell us when the golden clouds in the sky part and he descends to a blare of trumpets when the white charger comes thundering up!" said the three pragmatic women. They laughed and went back to their imperfect loves in an imperfect world.

    It happened exactly a week later, as she was walking along busy Orchard Road. There were no golden parting clouds, only thick billows of grey smoke from a thundering lorry, that cleared to show him sitting at a table in a small corner open-air café called 'Blue Paradise'. He was reading a book and drinking coffee.

    She stopped, caught her breath and stared. It would only be later that she could explain the sudden stopping, right in the midst of angrily honking cars.

    "I was going to turn into Hong Keng Road to do an errand for my mother, when the whisper came at last. 'Stop,' it said. I stopped and there he was."

    Through whizzing vehicles and hurrying pedestrians, she caught sight of a blue denim shirt, grey cotton pants. Neat glasses. A neat haircut. A flick of hair tumbling over the forehead and a strong hand moving swiftly up to push it back. A moment of looking up from the engrossing book to take out a white handkerchief to wipe the glasses and put them back on. A luminous dream that had come to earth as a concrete name on the back of a used envelope was enlarging before her very eyes into a solid corporeal presence in a roadside café,

    "Go on," said the whisper, and suffused her whole being with a tremulous joy. "What are you waiting for?"



    -Catherine Lim, A Leap Of Love

  • 《种竹》


    多年前单位大翻新,一丛苍劲挺拔绿竹遭砍伐,剖起的根部扔在泥地上,数周后,看着实在可惜可叹, 于是找一空地, 我们几个年轻壮丁合力把沉甸甸的竹根拱来,锄地浇水,等待它重生。不久,土里果然冒出竹笋,先后长了三四杆竹,都仅拇指般粗,不及人高,再难重见当年覆盖屋顶摇曳生姿的风采。也许正如长者所说,砍去干,剖出根,竹子生气已尽没所以竹子始终没有长高,瘦弱稀疏枯黄,仿佛病患。即便如此,种竹的那股傻劲,却是年轻生命历程中一种美丽的固执。

    读古书,亲近古人,对竹子向有难于言喻的亲切感。从竹林七贤、素东坡直到郑板桥,都以竹为良师益友,亲近竹子,能避免世俗浸染,保持开阔心胸与高贵品格。

    偶然阅读白居易散文《养竹记》,发现白居易就曾抢救过一丛竹子。当时是住进东亭的第二天,白居易漫步来到东亭东南角,眼见在杂草野树丛生处,一丛竹枝叶憔悴,毫无生气,已不成形。询问此府旧人,得知这丛竹原来是旧宅前主人亲手所植,其死后,已无人照看。

    白居易痛惜不已,他见竹子生机仍在,于是砍掉野草杂树,清除林里垃圾赃物,修剪枝叶增大空隙,并给竹根培上土。完工后,竹子仿佛对际遇的改变有所感激,一副欣欣向荣模样,艳阳天清凉竹荫,随风发出清越音乐,竹影也随风摇曳,酬谢让它重生的知音人。

    白居易为此写了《养竹记》,他认为竹子具有树德、正直、虚心、立志等品性,却常混杂于草木之中,要靠人爱惜它赏识它,才不致遭废弃。而发现人才也同此理,世间每每多滥竽充数之悲,贤才要脱颖而出,确实有赖用贤者一双善于辨识的慧眼。

    竹子最大特征是有节,不与桃季争宠,不同牡丹斗艳,清新高雅,挺拔向上,宁折不弯。历来读书人多爱竹,喻之为坦荡荡君子,它矮矮不群,在红尘外寂寞而顽强地生长,有着不随世浮沉的傲骨,历尽世事沧桑而依然不改自我初衷。

    第一次种竹已是十余年前旧事,种一丛竹,养一颗不被沾污的心,这千古文人梦,秀美、蒙胧而悠远。



    --删改自《种竹》



  • imy


    You have no idea just how much I miss you.

  • ethnicity

    I have been bursting out in sporadic lines to Spanish to the wrong people, and then in even more sporadic lines of Bahasa Indonesian to the wrong people as well, I think I'm fast losing it. Simple liners like "what is the time now?" and God knows what else come out in all the wrong languages, even though I think in English most of the time. Worse was how I was rambling in Spanish to a friend who finally bemusedly said, "Sweets, you forgot I don't speak Spanish". Have I been confusing the wrong people? Maybe. Or maybe it's payback time for the things I do with different languages. Like I had a friend with whom we'd flirt and bitch about others in other languages, then he'd throw in all sorts of nuggets and smatterings from all the other languages he knew, we had a ball of a time.And worse was how of late, I really meant to speak in Mandarin and they came out in the wrong dialects. With the crazy plethora of ethnicities that random people happily guess me to have-- I don't know what kinds of sadistic kicks they get out of that-- I might be a little confused at times. To celebrate my confusion (since I do idiotic things like this all the time), I pulled out my batik kebaya top. Actually, I have no idea what most of my stuff are-- like the other time when I first found another kebaya top-- when people ask me, 'is this a sash or (insert item)', I go, "No idea" because I think that's the best way. Therein, one can stretch one's imagination and wear them anyway. Like wear belts around your neck which is another bad habit of mine. So the only thing on my mind when I found this at the jumble sale was, "Oh what a lovely batik print!". Most of my batik stuff are simply dip-dyed with simple wax designs, nothing as intricate as this. In fact, I have no idea if this is a man's top because my father insists the buttons show just that. All I thought was that if I tucked it in a little into my skirt, I'd like the look. And I do. In the name of experimentation, what's fifty cents? True to my love for white bottoms, I wore my white skirt. Which I realize is growing a bit too short. Maybe it's shrunk. Anyhows, there are only 21 days in a month that a girl can wear white bottoms. So I'll reserve the darker-colored ones for the other days, unless inspired to.

    So I did a brown smoky eye with my favorite Stila shades-- Twig, Jezebel and Kitten. Even the names are delightful. Skipped the eyeliner and piled my hair up with only bobby pins in my usual haphazard look. My mother has been secretly keeping track of how many months I have not combed my hair for. Five months, apparently. Combing hair has always been a chore to me. It takes quite an effort to condition it. I am the nightmare of all hair specialists and comb makers.

    kebaya top secondhand; skirt Mango; shoes Pazzion; clutch Guess?; earrings Forever 21; belt Mango; ring Aldo; bangles the zoo, Dorothy Perkins, Mango

    *******

    Sunday started out extremely scorching so I decided I needed a top as thin as possible. It's been a long time since I wore my Evil Barbie pants, a.k.a. pink drainpipes. A friend challenged me to pull off the evil Barbie look a.k.a. pink and bitchy. So I saw this hanging off the shelves, tried it on (it's such a sad thing we have to try on jeans, otherwise my shopping time would be cut down even more), and grabbed it. With respect to my I-don't-care-what-label-this-is or I-don't-care-how-cheap/expensive-this is ethos, this was only $20. Irresistible, right? Perfect to play around with. After all, how often can one wear pink drainpipes. You only live once.

    I know pink and red clashes. But. . Clash Of Colors is way better than Clash Of Civilizations. The clogs are my mother's, at a good old ripe age estimated somewhere between 25 to 30 years old and still in such great condition. They were also extremely befitting since it poured insanely later on, and clogs are very good for walking in the rain. They don't spoil and the raised platform keeps your toes away from annoying puddles of water splashing on you. I found this gold cuff-like thing with a bow to wear around my arm as well. And this look commanded minimal accessories.

    My gangster rabbit, Tyrese, who is Lord Of The Cats at home, scares the neighbors' cats away, and barks at you if you irritate him. Of the hundreds of rabbit I've handled, this one has to be the most gungho one. My mother says it's socialization with me that has made him that way. I protest.

    top Warehouse; drainpipes Coax; cuff Warehouse; earrings vintage; clogs Scholls (my mother's)

    *******

    On Mondays I awake obscenely early. This was no exception. Zoo-day again. Hours before the crowds throng in. I have come to the conclusion that regardless of day, there will always be groups of people coming in. And so I do what I've always loved to do, people-watch and amuse myself nuts.

    When the sun shines a little too brightly on my observation spots do I migrate to the lion's enclosure to sit and catch up on background reading and scribble notes. It is my private little air-conditioned enclave where I sit with the lions-- somehow they all always seem to walk to the glass chamber whenever I'm there. This morning was the first time I heard them really roar, and excitedly went to look at them, coming to the full realization that they are real flesh-tearing carnivores. I can be a little idiotic, looking at them, and thinking I want to touch them. I've touched tigers a few times-- domesticated ones, that is. And I often handle large and pretty fierce dogs at the pound so I'm quite used to animals; but maybe I'm a bit nuts to keep thinking, "If only I can handle the tigers/lions/snakes/zebras". Did you know zebras are lethal like anything. Their bites can kill, as compared to horses, which are also in the same Equine family. For reasons like this did people like Jared Diamond and other biologists/anthropologists attribute amongst the reasons why Africa, despite being the cradle of human evolution, never rose compared to its European and Asian counterparts, since you cannot ride zebras the way you ride horses in order to conquer new territories. Of course, a lot of other reasons are thrown into the fray. These stuff boggle the mind, and leave me reading more in immense fascination. . IMO, Jared Diamond writes really fascinating books. Check out Guns, Germs and Steel or Collapse: How Societies Choose to Fail or Succeed. Such in-depth and well-researched macro accounts are books that I pick up constantly, apart from all the other stuff I read. Unputdownable.

    To epitomize casualness. . I mean, to avoid looking like an overdressed idiot. . High-waisted gingham shorts and a carved ancient-looking key around my neck. I love to wrap it around in different configurations of the chain to create different looks. The gold case is my foundation case that I customized with faux pearls and cut off some lace to stick on it. I carry three notebooks with me; if I'm in school, four. Kinda insane, I suppose. The shorts are from Rest & Relax, purchased from the jumble too at fifty cents (yay!). Long before I knew Rock & Republic, R&R meant the brand Rest & Relax to me, a local brand with pretty sweet designs, and alot of flowy chiffon. Lycra is extremely unforgiving.

    Being a good girl, I deigned to cab. It requires quite a lot of determination and discipline, but I have to remind myself that a bus ride is only slightly more than a dollar. I walked around looking at pianos, craving a new one and dreaming of having a baby grand when I am richer and have my own place to stay in. My 15-year old one has gone more than a little wonky despite numerous overhauls, it's sad. You know when your fingers touch the keys, they start to leap in wild abandon instinctively? That's the beauty of music, whether created with instruments (makeshift or otherwise) or the human voice. And then I bought a book-- you know how your entire being cries out for a book at times? At least, that's how I feel, compelled to get a new book and to devour it in an entire sitting. Afterwhich it started to drizzle. The fine misty drizzles that I love. It's enchanting to walk in them, to just muse and have also to have a state of no-thought. It is in the silence that life is good. Company is good, but unless it is excellent or stimulating it falls short-- it is in the placidity of the solitude that I crave. .

    *******


    For the last three outfits have I been recycling my bottoms. That's the handy thing about bottom separates. You can wear them in a gazillion different ways, kinda like loose slouchy tops. Cold turkey is when you can afford stuff and when you're surrounded by so much stuff, yet you cannot buy them because you're supposed to save. So the best solution is to re-configure all your clothes in new combinations. Wednesdays are my only weekday evenings I don't have to work. Which is probably why I dress a bit nicer on Wednesdays. So I can do anything I want after my class ends at 630pm. Even if the night is free for myself (yay!) I ought to celebrate it. You know how when you teach you cannot look too. . indecent. As it is, my young female students of thirteen are extremely interested in my stuff, playing with my earrings and telling me about their expensive haircuts. And I have to go, "Shhh. Do your math!"

    Today I decided to throw on my mother's very old polka-dotted top. In her time, the tops and bottoms came as a set (which are so cute, and can create extended mileage), this one came even with a jacket that I wear sometimes. I'm always awfully delighted to find such treasures in her stash, whilst she shakes her head and laments how much stuff she threw away when she moved in her early 20s during the urbanisation of the area she used to stay in. This top was part of the entire suit she bought for one of her wedding anniversaries-- my dad and her would happily dine. I love the front horizontal pleating, and so I tucked it into my denim high-waisted skirt which is fast becoming a staple, pairing it with my trusty grey booties. Back in the day last year it wasn't customary to spend alot on shoes. Because shoes are generally quite cheap here- like $30 for a pretty pair of heels-- $80 is considered 'quite a lot', and the standard $165 prices at Nine West are justified because they are Nine West and not some obscure brand. But when I saw this pair of booties (before they became so popular) at a store in this pretty trendy street, I immediately forked out about $150 for it, and told my mother they were only $50.  Relatively speaking, I was poorer last year. There are Mom Prices and Discount Prices and Real Prices, in ascending order. Tied my ponytail low to the side with red orchids-and-feathers, a little inspired by Vargas' pin-up girls.

    top my mother's; skirt Valleygirl; booties some store in Haji Lane; hair tie Accessorize; necklace vintage

    *******

    After the zoo on Monday I got the outfit reworked a little. Retained the top because it's mean to do so much laundry, piled on my ringed pants and a pair of tweed pumps, some bangles, and decided I'd suffer from Christmas Tree Syndrome. The pawa shell on beads necklace was given to me by one of my ex-students. I remember being called in to tutor her. She was afraid of going to school because of severe acne, so I was supposed to help her catch up on advanced trigonometry, some calculus, organic chemistry and electronics. Which was pretty easy-- I mean, I don't pay attention in school, but once I catch up, I can understand them. That was my first tutoring assignment with Indonesian-Chinese students, afterwhich more and more got introduced to me. They're pretty funny, some of them can hire me to teach them for six-hours straight, giving me all their eight textbooks of eight different subjects, making me provide some crash course before their exams, whilst piling me with all sorts of chocolate and food. Which actually is more profitable than going to school, so there were days I ended up skipping lessons just to teach. Shhh. So one year later when I was teaching one of her housemates, she suddenly appeared and gave me a gift of a few necklaces, including this one, with a grateful note saying that she could not have done well in her end-year exams if not for my tutelage, given how much school she missed, and how she didn't really understand what her teachers taught in school. Which was sweet.  The jade-and-silver necklace was part of the stash I got from my late grandmother. My uncle was working in Vietnam for a year or so, so he brought back alot of silver and jade. I like all sorts of precious stones and materials, even if jade is seen as old-fashioned or whatsoever, I like it. Plus the intricate silver carvings are really pretty. As for the headband, I suspect most of the time these are worn for sports or to hold up your fringe when washing your face; but I saw alot for sale at Cotton On, so I grabbed them. I like the casual feel they give.

    The shoe collection on the floor (because the wardrobe has no space) has stopped growing temporarily. It's good news for the floorspace and bad news for greedy-me.

    top Mango; bangles Mango, Dorothy Perkins; headband Cotton On; pants Mango; tweed pumps Ebay; necklaces Forever 21, my grandmother's, gift; clutch Perlini; earrings Aries

    *******

    My high-waisted pants resurfaced on Tuesday, this time not with its attached belt. The trick to wearing high-waisted is to wear really loose tops with them. Preferably men's cut. The thing I really adore about this pair of pants is the tulip-like pleated top. It gives it a different and almost-wacky twist. The earrings are chock-full of charms, of which one makes some sort of twinkling sound. So I sound like a cat walking around.

    top Red; pants Topshop; shoes Pazzion; earrings Diva; handbag my grandmother's; belt Mango; ring Aldo

Thursday, August 21, 2008

  • 看破

    还记得许多年前我曾屡次对外婆说,“阿嬷做人的懂得看开”。 以潮州话说,就是说要看破。

    那时我随小,可是敏感的我却感受得出她心内重重郁闷, 也晓得她对过去的贫困所造成的心结无法打开。

    外婆已一年半年前与世长辞了。我有时还后悔没机会和她永别。

    每当听起萧煌奇的福建歌,阿嬤的話, 就不禁感触深奥, 思潮起伏。

    到底究竟什么才是‘看破’呢。

    我想起了成语中的‘井底之蛙’。 那只青蛙也许在井里是看不到扩大的天空的, 它想像中唯一的世界可能是井墙。或许生处如此,在自己渺小的世界里感到欣然。不过对于经历过海浪及无边际的沙滩的乌龟,它是不会在看不到天空的井内开心的。一尝试过较精彩的生活后,一品尝不一样的滋味,一个人可能是无法回头转; 圣经传说中的夏娃一咬到苹果的那一刻起,已踏上无可回头的路途。

    若看不到天空,一个人如何看破。

    一些心理学家观察,每当问候一个华族‘你还好吗?’, 他将答,‘还不错’或者‘马马虎虎’。

    反而以同一个问候面对个美国人,他会答,’好极了’或类似乐观主的。

    本身每当去奥洲吃风,似乎感到一个人不管愉快或郁闷,总得给予乐观性的回答。这也许让人际间的关系添加了些亲切感,不过太过关注正确的乐观性答案好像有点虚伪。身于东西合屏的处境,也感到华人的答案也较属于悲观性。

    可能是我们的作风,必须有缺陷的存在才能使一个人向上高升。不过总是不会辨出以珍惜能给自己满足感的, 总是不懂得自爱,也不是一样做个井底之蛙呢。

    一个人到底的怎么说,怎么想。是否已被教的 ‘正确答案’回答呢?

    我想,一个人虽重年累月面对一些字或词,不过总会在不同的时间,经过人生中的烤炉而对它有个更深奥的剖析, 取得新的领悟。

    现在,似乎听到阿嬤告诉我,‘要看破’。 我们在每天的繁忙中不知不觉地在头上和肩膀上堆上了不少的累赘。那是埋伏心灵的瓦片,使我们变成了井底之蛙, 在也看不到蓝空,更加不懂得看破。

    究竟该过于乐观到虚假的地步,或太讲究缺陷而不懂得珍惜眼前的一切,而 把这和使个人进步的那股气搞扎了。什么才是看破呢?我想,老子在数千年千还是对的。人生唯一的天法就是一切得历尽瞬息万变。我们是得怎么回答 ‘你还好吗?’。可能,最好的教诲藏卧于无言之教。
  • amore

    Alright, so I've never really liked Daisaku Ikeda. But this resonated with me. . Often do we expect each other to read the other party's minds, which leaves us all murkier than mud. Communication is important. And also, the need to extend beyond limiting to oneself's schema.

    "Even married people were once strangers. Therefore, without patience and the effort to understand one another, things are likely not to go well. We need patience in order to become happy. There are many who dream about experiencing happiness without the patience. But that is a dream. And a dream is just that--a dream, a fairy tale. It is to wish for a childish, easy life. This illusion breaks up many marriages. The pursuit of such happiness can only make one miserable. It is important to make the effort to calmly construct something together. From there, real love develops. Real marriage is when you have been married for twenty-five years and feel an even deeper love than you did when you first met. Love deepens. Love that does not is merely on the level of simple likes and dislikes."

    ~ Daisaku Ikeda


sheetsandleaves

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    • Name: sheetsandleaves
    • Birthday: 7/7/1986
    • Gender: Female
    • Member Since: 7/5/2008

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