My mom and I went and saw Sex and the City last weekend and it is a must see for all woman out there, and the bast part is that you really don't have to follow the show in order to know what was going on.   =) totally getting it when it comes out on DVD!!

    It really depends, I believe that there are two sides to it. If a person is in so much emotional pain that they cant bear to live any longer than it is their right as an individual to kill themselves.  Although if they are physically incapable of doing so themselves should we help them? It's really hard to say. If i was so upset and i felt that i needed to kill myself and there was noone to help me fufill the action i would feel so trapped.  Soo trapped and helpless if anything it would make me more depressed. 
    Also what if a person was in a coma for YEARS!!! im not sure that the hospital regulations are but i dont think they can keep a comatose person forever. And then if they do "pull the plug" there is this feeling in the back of your mind thinking, what if they were going to wake up any day now. Its a hard question to judge which is probably why its under debate.  So the question on if it is acceptable or not is pretty much inbetween.
-S

   

I just answered this Featured Question, you can answer it too!

Murphy's Photography Laws

• You are not Ansel Adams
• Neither are you Herb Ritz
• Automatic Cameras - Aren't
• Auto Focus - won't
• If you can't remember, you left the film at home
• No photo assignment remains unchanged after the first day of shooting
• When in doubt, motor out
• If a photo shoot goes too smoothly, then the lab will lose the film
• If it's stupid but it works, it isn't stupid
• Success occurs when no one is looking, failure occurs when the Client is watching
• The most critical roll of film is fogged
• If you forgot, then you did not rewind the film
• Photo Assistants are essential, they give photographers someone to yell at
• The one item (batteries, film, and ect.) you need is always in short supply
• Interchangeable parts aren't
• Long life batteries only last for a couple of rolls
• Weather never cooperates
• Everything always works in your home, everything always fails on location
• For every action, there is an equal and opposite criticism
• The newest and least experienced photographer will usually win the Pulitzer
• Every instruction given to a lab, which can be misunderstood, will be
• There is always a way, and it usually doesn't work
• Never tell the Photo Editor you have nothing to do
• Things which must be shipped together as a set, aren't
• No photojournalist is well dressed
• No well dressed photographer is a photojournalist
• Professional photographers are predictable; the world is full of dangerous amateurs
• The nature shots invariably happen on two occasions:
• -when animals are ready.
• -when you're not.
• Same rule just substitute children
• Client Intelligence is a contradiction
• There is no such thing as a perfect shoot
• The important things are always simple
• The simple things are always hard
• Flashes will fail as soon as you need them
• A clean (and dry) camera is a magnet for dust, mud and moisture
• Photo experience is something you never get until just after you need it
• The self-importance of a client is inversely proportional to his position in the hierarchy (as is his deviousness and mischievousness)
• The lens that falls is always the most expensive.
• when you drop a lens cap, the inside part always lands face down in the mud.
• Bugs always want to land on the mirror during a lens swap.
• Your batteries will always go dead or you will need to put in a new film canister at the least opportune moment.
• Your batteries will always go dead during a long exposure (so with the shutter open).
• When you shoot the night away and never have to stop. Your film did not roll on to the take up reel.
• Sent by Les Benton
• Camera are designed with a built-in sensor, that senses the anticipation to develop the film.
• When the level of anticipation is highest, this sensor causes the back to flip open exposing the film.
• Sent by Takura Razemba
• Lenses are attracted back to their source - hard rocks.
• Corollary:
• The more expensive the lens, the greater the attraction.
• No matter how long you've had a convention for marking film holders, you will forget it - when exposing the once-in-a-lifetime shot.
• Safelights - aren't.
• The greater a photographer's excitement, the greater its chance of fogging film, scratching prints, and deleting files.
• The success of an assignment is inversely proportional to the product of its importance and the number of people watching.
• Strobes only explode when lots of people are watching.
• Corollary:
• Strobes only work when there is nobody else to see.
• The last six laws and corollaries were sent by Jason Antman

I thought this was interesting... totally own people and then make a song killer song out of it. i Love It!!!
-Sara

---

YouTube User: KolldMoon-
Justin was referring to a comment that Prince made that was in retort to his "Bringin' Sexy Back" song. That's where Prince said - " Sexy never left " - Thus why Justin said in the song: "If se-sexy never left, then why's everybody on my shi-it-it..Don't hate on me just because you didn't come up with it" That was basically telling Prince to shut the hell up being a smart ass. But yeah, go look up the lyrics. Each singer is talkin' about their beef with another artist. :P Have fun.
YouTube User: KolldMoon-
Nelly is talking about Fergie, Timbaland is talking about a fellow producer Scott Storch where they were butting heads over who received credit for past workings together. Then Justin was jumpin' Prince for being all high and mighty. I laughed so hard when I read the lyrics. It's a great song. :P

VIDEO: http://www.youtube.com/watch?v=2__Qdd11rfA

Give It To Me lyrics
(feat. Nelly Furtado, Justin Timberlake)

[Timbaland]
Is it going? Is it going?
Is it going? Is it going?
I don't know.. what you're lookin' for

Oh yea boss
Come on

[Nelly Furtado]
I'm the type of girl to look you dead in the eye-eye
I'm real as it come if you don't know why I'm fly
Seen you tryna switch it up but girl you ain't that dope
I'm a Wonder Woman, let me go get my rope
I'm a supermodel and mami, si mami
Amnesty International got Bangkok to Montauk on lock
love my ass and my abs in the video called "Promiscuous"
My style is ri-dic-dic-diculous, 'diculous, 'diculous

[Nelly + (Justin)]
If you see us in the club, we'll be actin' real nice
If you see us on the floor, you'll be watchin' all night
We ain't here to hurt nobody
(So give it to me, give it to me, give it to me)
Wanna see you work your body
(So give it to me, give it to me, give it to me)

[Timbaland]
When Timbo is in the party, everybody put up they hands
I get a half a mil' for my beats, you get a couple gra-an-and
Never gonna see the day that I ain't got the upper hand
I'm respected from Californ-I-A, way down to Japan
I'm a real producer and you just a piano man
Your songs don't top the charts, I heard 'em, I'm not a fa-an-an
Niggas talkin' greasy, I'm the one that gave them they chance
Somebody need to tell them that they can't do it like I can

[Nelly + (Justin)]
If you see us in the club, we'll be actin' real nice
If you see us on the floor, you'll be watchin' all night
We ain't here to hurt nobody
(So give it to me, give it to me, give it to me)
Wanna see you work your body
(So give it to me, give it to me, give it to me)

[Justin Timberlake]
Could you speak up and stop mu-mumbling, I don't think you came in clear
When you're sittin' on the top, it's hard to hear you from way up here
I saw you tryin' to act cute on TV, "Just let me clear the air..."
We missed you on the charts last week, damn, that's right you wasn't there
If se-sexy never left, then why's everybody on my shi-it-it
Don't hate on me just because you didn't come up with it
So if you see us in the club, go on and walk the other way
Cause our run will never be over, not at least until we say

[Nelly + Justin]
If you see us in the club, we'll be actin' real nice
If you see us on the floor, you'll be watchin' all night
We ain't here to hurt nobody
(So give it to me, give it to me, give it to me)
Wanna see you work your body
(So give it to me, give it to me, give it to me)

[Nelly (Justin)]
Oh.. (Damn, improve)
Oh.. (Damn, improve)
Oh.. (Damn, improve)
Oh.. (Damn, improve)

Oh.. (Damn, improve)
Oh.. (Damn, improve)
Oh.. (Damn, improve)
Oh.. (Damn, improve)

[Nelly + Justin]
... club, we'll be actin' real nice
If you see us on the floor, you'll be watchin' all night
We ain't here to hurt nobody
(So give it to me, give it to me, give it to me)
Wanna see you work your body
(So give it to me, give it to me, give it to me)

If you see us in the club, we'll be actin' real nice
If you see us on the floor, you'll be watchin' all night
We ain't here to hurt nobody
(So give it to me, give it to me, give it to me)
Wanna see you work your body
(So give it to me, give it to me, give it to me)